唐小兵，1984年北京大学英语系本科毕业，1991年获美国杜克大学文学博士学位，先后任教于科罗拉多大学、芝加哥大学、南加州大学，2008年迄今为密歇根大学亚洲语言文化系及比较文学系讲席教授。已出版《后现代主义与文化理论：杰姆逊教授讲演录》（1986 ）、《再解读：大众文艺与意识形态》（1993）、《全球空间与现代性的民族主义话语：梁启超的历史思维》（1996）、《中国现代：英雄的与凡人的》（2000）、《中国先锋艺术的起源：现代木刻运动》（2008）、《多重印象：当代中国木版版画）（2011）等。

Exploring a wealth of images ranging from woodblock prints to oil paintings, this beautifully illustrated full-color study takes up key elements of the visual culture produced in the People's Republic of China from its founding in 1949 to the present day. In a challenge to prevailing perceptions, Xiaobing Tang argues that contemporary Chinese visual culture is too complex to be...(展开全部)

More than three decades of economic growth have led to significant social change in the People’s Republic of China. This timely book examines the emerging structures of class and social stratification: how they are interpreted and managed by the Chinese Communist Party, and how they are understood and lived by people themselves. David Goodman details the emergence of a dominant...(展开全部)

More than three decades of economic growth have led to significant social change in the People’s Republic of China. This timely book examines the emerging structures of class and social stratification: how they are interpreted and managed by the Chinese Communist Party, and how they are understood and lived by people themselves. David Goodman details the emergence of a dominant...(展开全部)

This book examines an array of auteur-driven fiction and documentary independent film projects that have emerged since the turn of the millennium from East and Southeast Asia, a strand of transnational filmmaking that converges with Asia's vibrant yet unevenly developed independent film movements amidst global neoliberalism. These projects bear witness to and are shaped by the ...(展开全部)

This book examines an array of auteur-driven fiction and documentary independent film projects that have emerged since the turn of the millennium from East and Southeast Asia, a strand of transnational filmmaking that converges with Asia's vibrant yet unevenly developed independent film movements amidst global neoliberalism. These projects bear witness to and are shaped by the ...(展开全部)

China Urban is an ethnographic account of China’s cities and the place that urban space holds in China’s imagination. In addition to in vestigating this nation’s rapidly changing urban landscape, its contributors emphasize the need to rethink the very meaning of the “urban” and the utility of urban-focused anthropological critiques during a period of unprecedented change on loc...(展开全部)

China Urban is an ethnographic account of China’s cities and the place that urban space holds in China’s imagination. In addition to in vestigating this nation’s rapidly changing urban landscape, its contributors emphasize the need to rethink the very meaning of the “urban” and the utility of urban-focused anthropological critiques during a period of unprecedented change on loc...(展开全部)